Our Recordings
| Principia Musica | ||
|---|---|---|
| Music from the 17th century in England, the time of Sir Isaac Newton | ||
 |
Henry Purcell | Chacony in G minor |
| Matthew Locke | Suite from The Tempest | |
| Nicola Matteis | Concerto in C for Two Trumpets (Stephen Keavy, Jonathan Impett) | |
| Charles Quarles | Lesson in F minor (Jonathan Hellyer Jones solo harpsichord) | |
| Christopher Simpson | Divisions on a Ground in E minor (Margaret Richards viol, Jonathan Hellyer Jones harpsichord) | |
| Henry Purcell | Sonata No 2 in D for trumpet (Stephen Keavy) | |
| John Blow | Suite from Venus and Adonis | |
| 1988, Plant Life Records PLCD076 (CD) and PLC076 (cassette) available from the CBC |
||
| Rare Baroque Flute Concertos | ||
| Neil McLaren, flute | ||
 |
G Tartini | Concerto in G |
| J J Quantz | Concerto in E minor | |
| J-C Naudot | Concerto in D Op 11 No 1 | |
| F Benda | Concerto in G | |
| 1991, Amon-Ra CD-SAR 52 (CD) and CSAR 52 (cassette) available from the CBC |
||
“A must for any record collection; virtuosic and sumptuous flute playing” Alte Music Actuel |
||
| J S Bach: Brandenburg Concertos 1-7 | ||
 |
This recording uses one player to a part throughout. | |
| Soloists include Alison Bury, Stephen Keavy, Maya Homburger, Rachel Beckett, Marion Scott, Neil McLaren, Henrietta Wayne, Jonathan Hellyer Jones, Judy Tarling, Penny Veryard. | ||
| Brandenburg No 7 is scholarly speculation, in an arrangement by Duncan Druce, of the 3rd sonata for viol and obbligato harpsichord by J S Bach. The instrumental forces are identical to the 6th Brandenburg Concerto. | ||
| 1998, Intim Musik (Sweden) IMCD 055-056C available from the CBC, Amazon, ArkivMusic, Yahoo, |
||
“These are lively performances of the Brandenburgs” Gramophone | ||
| J S Bach: St Mark Passion (reconstruction) | ||
| with the Choir of Gonville & Caius College, Cambridge, conducted by Geoffrey Webber | ||
 |
Soloists: Jeremy Ovenden, Timothy Mirfin, Ruth Gomme, William Towers, James Gilchrist, Paul Thompson. | |
| The reconstruction used in this recording is by Professor Andor Gomme, using music by Reinhard Keiser for recitatives and turbae, and music by Bach from The Trauer-Ode. | ||
| Reinhard Keiser | Laudate Pueri Dominum | |
| 1999, Gaudeamus ASV CD GAX 237 available from the CBC, Amazon, ArkivMusic, ASV, Musica.co.uk, Yahoo |
||
| The Muse Delight’d | ||
| Domestic keyboard music in England in the 18th century Jonathan Hellyer Jones, harpsichord and fortepiano | ||
| (sorry, no photo) | G F Handel | Suite No 5 in E (1720 set) |
| James Nares | Lesson in F Op 2 No 4 | |
| J C Bach | Sonata in E Op 5 No 5 | |
| J Haydn | Sonata No 48 in C (1789) | |
| 1982, Plant Life Records PLR037 (LP) only available from the CBC |
||
| The Organ in the Age of Reason | ||
| Baroque organ music by J S Bach and his predecessors and contemporaries played on the Metzler organ in Trinity College Chapel, Cambridge Jonathan Hellyer Jones, organ | ||
 |
J S Bach | Chorale Prelude Wachet auf! (BWV 645) |
| F Couperin | Aria in F (arr J S Bach BWV 587) | |
| J S Bach | Fugato on the Magnificat (BWV 733) | |
| D Buxtehude | Chorale Prelude Nun komm, der Heiden Heiland (BuxWV 211) | |
| L Marchand | Grand Dialogue in C | |
| J Ernst | Concerto in G | |
| G Böhm | Chorale Prelude Vater unser (WK ii 138) | |
| J P Sweelinck | Chorale Variations Es ist das Heil (K 42) | |
| J S Bach | Fantasia and Fugue in C minor (BWV 537) | |
| 1983, Plant Life Records PLCD059 (CD) and PLC059 (cassette) only available from the CBC |
||
The Cambridge Baroque Camerata
6 Dane Drive, Cambridge CB3 9LP, UK
Tel/Fax + 44 (0)1223 515688
E-mail us: Cambridge Baroque Camerata
E-mail our Agent: Neil Chaffey